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"excerpt":"As part of the 2023 Island Games Guernsey Arts have hosted a selection of initiatives to showcase what makes our Islands so Unique!",
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"bodyText":"\u003cp\u003eGuernsey Arts is immensely proud to have led on several Cultural initiatives to run alongside Guernsey 2023.\u003c/p\u003e\n\u003cp\u003eThrough three projects we reached out to all the competing Islands to engage with art organisations, artists, schoolchildren, and the wider communities, our aim not only to build a programme of initiatives for the games, but to build deeper relationships which we believe can offer further opportunity and exchanges for our artist communities to enjoy and benefit from into the future. \u003c/p\u003e\n\u003cul style=\"list-style-type: circle;\"\u003e\n\u003cli\u003ePocket Island Poetry, which challenged poets to paint a picture of their Island through words, has resulted in the production of a 110 page booklet, available in Guernsey as a physical copy or as a download.\u003c/li\u003e\n\u003cli\u003eThe Islands Digital Arts Open allowed any digital or digitally recreated artwork to be submitted and will result in an exhibition in the George Crossan gallery in the Market Buildings through the period of the games, and available as a digital exhibition. \u003c/li\u003e\n\u003cli\u003eThe Island Games Postcard Competition looked to include our young people to build an insight into how they perceived their own homes and gain an additional perspective to each Island. A selection of the wonderful postcards have been printed and are available in Guernsey, and all are available to view in the download below.\u003c/li\u003e\n\u003c/ul\u003e\n\u003cp\u003eThank you for exploring the Island Games Cultural Programme. Guernsey Arts would be delighted to meet with anyone from visiting Islands should you wish to discuss future opportunies in bringing our Islands closer together.\u003c/p\u003e\n\u003cp\u003e \u003c/p\u003e\n\u003cdiv class=\"mceNonEditable embeditem\" data-embed-url=\"https://youtu.be/I-ezKHqnAio\" data-embed-height=\"1823\" data-embed-width=\"1220\" data-embed-constrain=\"true\"\u003e\u003ciframe width=\"1220\" height=\"686\" src=\"https://www.youtube.com/embed/I-ezKHqnAio?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\" title=\"Island Games 2023 Digital Arts Open\"\u003e\u003c/iframe\u003e\u003c/div\u003e"
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"Name":"Twist and Shout: A Celebration of \u002763",
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"bodyText":"\u003cp\u003eTWIST AND SHOUT\u003c/p\u003e\n\u003cp\u003eAn exhibition celebrating the 60th anniversary of The Beatles in Guernsey and their musical legacy.\u003c/p\u003e\n\u003cp\u003eWe invited local artists to take part in our Beatles themed exhibition after each being assigned a random album they submitted their choices of a song they will be visually interpreting.\u003c/p\u003e\n\u003cp\u003eThe exhibition was part of our Beatles \u0027Twist and Shout\u0027 Summer alongside other exhibitions as part of our Celebration of \u002763.\u003c/p\u003e\n\u003cp\u003eWe would also like to thank Skipton International for sponsoring this exhibition and for giving us the opportunity to give the celebration the support it deserves.\u003c/p\u003e"
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"bodyText":"\u003cp\u003eWhat Shadow? (ce que dit la bouche d\u0027ombre), an otherworldly collection of work as a result of a series of residencies that took place in Guernsey, Jersey and France in 2023-4.\u003c/p\u003e\n\u003cp\u003eThe exhibition features a variety of media focusing on the history, mythology and folk traditions of Guernsey, Jersey and France as well as the exploration into the occult and spiritual worlds by Victor Hugo during his exile in Guernsey and Jersey between 1852-1870.\u003c/p\u003e\n\u003cp\u003eThe three artists on residency, Yasmin Atkinson (Guernsey), Louise London (Jersey) and Estelle Chaigne (France) came together during the collaborative project between Guernsey Arts, ArtHouse Jersey and Les Ateliers du Vent (Rennes).\u003c/p\u003e\n\u003cp\u003eWhat Shadow? Is an exhibition suspended between reality and myth, playing with light and darkness exploring remnants of the past and encounters with perceptible fears and violences.\u003cbr /\u003e\u003cbr /\u003e\u003c/p\u003e\n\u003cp\u003e\u003cem\u003eFrench Translation:\u003c/em\u003e\u003c/p\u003e\n\u003cp class=\"tw-data-text tw-text-large tw-ta\" data-placeholder=\"Translation\" data-ved=\"2ahUKEwiv7oaT_42JAxV-AfsDHWArBSEQ3ewLegQIBxAW\" aria-label=\"Translated text: Quelle ombre ? (ce que dit la bouche d\u0027ombre), une collection d\u0027œuvres surnaturelles issue d\u0027une série de résidences qui ont eu lieu à Guernesey, Jersey et en France en 2023-4.\n\nL\u0027exposition présente une variété de médias axés sur l\u0027histoire, la mythologie et les traditions populaires de Guernesey, de Jersey et de France, ainsi que sur l\u0027exploration des mondes occultes et spirituels par Victor Hugo lors de son exil à Guernesey et à Jersey entre 1852 et 1870.\n\nLes trois artistes en résidence, Yasmin Atkinson (Guernesey), Louise London (Jersey) et Estelle Chaigne (France) se sont réunies lors du projet collaboratif entre Guernsey Arts, ArtHouse Jersey et Les Ateliers du Vent (Rennes).\n\nQuelle ombre ? Est une exposition suspendue entre réalité et mythe, jouant avec la lumière et l\u0027obscurité, explorant les vestiges du passé et les rencontres avec des peurs et des violences perceptibles.\"\u003e\u003cspan class=\"Y2IQFc\"\u003eQuelle ombre?, une collection d\u0027œuvres surnaturelles issue d\u0027une série de résidences qui ont eu lieu à Guernesey, Jersey et en France en 2023-4.\u003c/span\u003e\u003c/p\u003e\n\u003cp class=\"tw-data-text tw-text-large tw-ta\" data-placeholder=\"Translation\" data-ved=\"2ahUKEwiv7oaT_42JAxV-AfsDHWArBSEQ3ewLegQIBxAW\" aria-label=\"Translated text: Quelle ombre ? (ce que dit la bouche d\u0027ombre), une collection d\u0027œuvres surnaturelles issue d\u0027une série de résidences qui ont eu lieu à Guernesey, Jersey et en France en 2023-4.\n\nL\u0027exposition présente une variété de médias axés sur l\u0027histoire, la mythologie et les traditions populaires de Guernesey, de Jersey et de France, ainsi que sur l\u0027exploration des mondes occultes et spirituels par Victor Hugo lors de son exil à Guernesey et à Jersey entre 1852 et 1870.\n\nLes trois artistes en résidence, Yasmin Atkinson (Guernesey), Louise London (Jersey) et Estelle Chaigne (France) se sont réunies lors du projet collaboratif entre Guernsey Arts, ArtHouse Jersey et Les Ateliers du Vent (Rennes).\n\nQuelle ombre ? Est une exposition suspendue entre réalité et mythe, jouant avec la lumière et l\u0027obscurité, explorant les vestiges du passé et les rencontres avec des peurs et des violences perceptibles.\"\u003e\u003cspan class=\"Y2IQFc\"\u003eL\u0027exposition présente une variété de médias axés sur l\u0027histoire, la mythologie et les traditions populaires de Guernesey, de Jersey et de France, ainsi que sur l\u0027exploration des mondes occultes et spirituels par Victor Hugo lors de son exil à Guernesey et à Jersey entre 1852 et 1870.\u003c/span\u003e\u003c/p\u003e\n\u003cp class=\"tw-data-text tw-text-large tw-ta\" data-placeholder=\"Translation\" data-ved=\"2ahUKEwiv7oaT_42JAxV-AfsDHWArBSEQ3ewLegQIBxAW\" aria-label=\"Translated text: Quelle ombre ? (ce que dit la bouche d\u0027ombre), une collection d\u0027œuvres surnaturelles issue d\u0027une série de résidences qui ont eu lieu à Guernesey, Jersey et en France en 2023-4.\n\nL\u0027exposition présente une variété de médias axés sur l\u0027histoire, la mythologie et les traditions populaires de Guernesey, de Jersey et de France, ainsi que sur l\u0027exploration des mondes occultes et spirituels par Victor Hugo lors de son exil à Guernesey et à Jersey entre 1852 et 1870.\n\nLes trois artistes en résidence, Yasmin Atkinson (Guernesey), Louise London (Jersey) et Estelle Chaigne (France) se sont réunies lors du projet collaboratif entre Guernsey Arts, ArtHouse Jersey et Les Ateliers du Vent (Rennes).\n\nQuelle ombre ? Est une exposition suspendue entre réalité et mythe, jouant avec la lumière et l\u0027obscurité, explorant les vestiges du passé et les rencontres avec des peurs et des violences perceptibles.\"\u003e\u003cspan class=\"Y2IQFc\"\u003eLes trois artistes en résidence, Yasmin Atkinson (Guernesey), Louise London (Jersey) et Estelle Chaigne (France) se sont réunies lors du projet collaboratif entre Guernsey Arts, ArtHouse Jersey et Les Ateliers du Vent (Rennes).\u003c/span\u003e\u003c/p\u003e\n\u003cp class=\"tw-data-text tw-text-large tw-ta\" data-placeholder=\"Translation\" data-ved=\"2ahUKEwiv7oaT_42JAxV-AfsDHWArBSEQ3ewLegQIBxAW\" aria-label=\"Translated text: Quelle ombre ? (ce que dit la bouche d\u0027ombre), une collection d\u0027œuvres surnaturelles issue d\u0027une série de résidences qui ont eu lieu à Guernesey, Jersey et en France en 2023-4.\n\nL\u0027exposition présente une variété de médias axés sur l\u0027histoire, la mythologie et les traditions populaires de Guernesey, de Jersey et de France, ainsi que sur l\u0027exploration des mondes occultes et spirituels par Victor Hugo lors de son exil à Guernesey et à Jersey entre 1852 et 1870.\n\nLes trois artistes en résidence, Yasmin Atkinson (Guernesey), Louise London (Jersey) et Estelle Chaigne (France) se sont réunies lors du projet collaboratif entre Guernsey Arts, ArtHouse Jersey et Les Ateliers du Vent (Rennes).\n\nQuelle ombre ? Est une exposition suspendue entre réalité et mythe, jouant avec la lumière et l\u0027obscurité, explorant les vestiges du passé et les rencontres avec des peurs et des violences perceptibles.\"\u003e\u003cspan class=\"Y2IQFc\"\u003eQuelle ombre? Est une exposition suspendue entre réalité et mythe, jouant avec la lumière et l\u0027obscurité, explorant les vestiges du passé et les rencontres avec des peurs et des violences perceptibles.\u003c/span\u003e\u003c/p\u003e"
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"bodyText":"\u003cp\u003eCelebrating 100 years of Sarnia Arts \u0026amp; Crafts with their One Brushstroke Project.\u003c/p\u003e\n\u003cp\u003eAll year we have been asking islanders to add their brushstroke to a digital canvas to make an artwork for Guernsey created by the people of Guernsey! Thousands of people of all ages have taken part resulting in the 13 colourful paintings on display.\u003c/p\u003e"
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"bodyText":"\u003cp\u003eEntanglement by Linda Martorella\u003c/p\u003e\n\u003cp\u003eIn this exhibition, narratives are woven through bold, conceptual, figurative paintings. Using oils, acrylics and mixed media, the collection aims to communicate beauty and complexity from the depths of human form. Painting ‘A passage from the chaos of the emotions to the order of the possible\u0027 this collection is a wander into the psycho-geographical landscape of the mind\u0027s eye. The interconnection of hidden thoughts and feelings that affect our lives is vividly portrayed. The paintings depict an emergence from the raw confines of the body - souls becoming powerful, fearless beings who exist wholly in relation to each other.\u003c/p\u003e"
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"Name":"20 YEARS OF STITCHING An Exhibition by Hayley Mallett",
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"excerpt":"Embarking on my artistic journey, these paintings felt like a natural progression, a celebration of my artistic evolution.",
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"bodyText":"\u003cp\u003e\u003cstrong\u003e20 YEARS OF STITCHING.\u003c/strong\u003e\u003c/p\u003e\n\u003cp\u003eJoin us in the Greenhouse Gallery at Guernsey Museum (Candie Gardens) to celebrate 20 years of work from local artist Hayley Mallet. Born and raised in Guernsey Hayley has become known for her distinctive textile and mixed media artworks. \u003c/p\u003e\n\u003cp\u003e\u002720 Years of Stitching\u0027 is Hayley\u0027s 2nd solo exhibition. Beyond the confines of her gallery, Hayley\u0027s artistic flair extends to bespoke commissions, a realm that Hayley loves. \u003c/p\u003e\n\u003cp\u003eOpen 10am-5pm, free entry for Discovery Pass holders.\u003c/p\u003e\n\u003cp\u003eAll pieces are available for purchase - please direct enquiries to \u003ca href=\"mailto:info@arts.gg\"\u003einfo@arts.gg\u003c/a\u003e or call 01481 220711.\u003c/p\u003e"
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"bodyText":"\u003cp dir=\"ltr\"\u003e\"Equilibrium: a state in which opposing forces or influences are balanced.\"\u003c/p\u003e\n\u003cp dir=\"ltr\"\u003eEquilibrium creates and examines sculptural forms as disparate elements which make up a whole. It examines gravity, forces and balance. The exhibition has a central sculpture which pulls everything into its centre; it revolves around itself. The sculpture also influences how the audience can experience the exhibition, as they have to orbit around this central piece, just as the printed photographs do. The prints also reflect on each other, as each wall mirrors its opposite.\u003c/p\u003e\n\u003cp dir=\"ltr\"\u003eThe project began as an exploration of space and material, as I examined scale. I experimented with materials in a small space, sending the three dimensional into the two dimensional. The central piece serves to highlight the physicality of the photographs.\u003c/p\u003e\n\u003cp dir=\"ltr\"\u003eThe design of the exhibition lends well to the gallery space, its unusual octagonal shape naturally influences people to circle around it.\u003c/p\u003e\n\u003cp dir=\"ltr\"\u003eEquilibrium is about a balancing act, and a mirroring of itself. The mirrors within the exhibition serve as a means of reflection for the viewers; the exhibition continues to balance and re-balance, to mirror and re-mirror itself, thus the audience becomes a part of the work. The central spherical piece reminds one of a planet, and in this way, the exhibition is a microcosm of our solar system.\u003c/p\u003e"
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"Name":"2023 Bailiwick Wildlife Photography Exhibition",
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"excerpt":"The Bailiwick Wildlife Photography exhibition returns! Showcasing an absolutely fantastic selection of photographs of local wildlife!",
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"bodyText":"\u003cp\u003eThe Bailiwick Wildlife Photography exhibition returns! Showcasing an absolutely fantastic selection of photographs of local wildlife!\u003c/p\u003e\n\u003cp\u003eGuernsey Arts are proud to present the 2023 Bailiwick Wildlife Photography Exhibition. Following the success of last years exhibition we once again asked local wildlife photographers of all ages and skill levels to submit their photographs depicting the incredibly varied wildlife that we have within the Bailiwick.\u003c/p\u003e\n\u003cp\u003eThis year we have been blown away with the quality and quantity of photographs that were submitted, receiving 60 submissions and over 200 individual photographs spanning across our categories of Birds, Insects, Mammals, Marine, In Your Garden and 16 \u0026amp; Under.\u003c/p\u003e\n\u003cp\u003eWithin the exhibition we are also featuring the work of award-winning wildlife photographer and filmmaker Sue Daly, who continues to capture the extraordinary wildlife and breathtaking landscapes of her home island of Sark.\u003c/p\u003e\n\u003cp\u003eWe would also like to thank Sue for contributing her experience and vast knowledge in assisting us in judging the submissions and deciding on the final pieces to be displayed within the exhibition.\u003c/p\u003e\n\u003cp\u003eFinally we would like to give a massive thank you to the photographers who have submitted their work, without them this exhibition would not be possible.\u003c/p\u003e"
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"bodyText":"\u003cp\u003e2024 Bailiwick Wildlife Photography Exhibition\u003c/p\u003e\n\u003cp\u003eGuernsey Arts are proud to present the 2024 Bailiwick Wildlife Photography exhibition, supported this year by Guernsey Electricity’s Power to the People Fund. Now in its third year, Guernsey Arts asked local wildlife photographers to submit their most dynamic images of Bailiwick wildlife, this year we were once again amazed by the extraordinary snapshots of the wildlife found in the Bailiwick.\u003c/p\u003e\n\u003cp\u003eEach year, a Guest Judge is chosen with a category specialisation - this year we will be causing a buzz with the intricate insect macro photography of Barry Wells. Barry showcases the natural beauty of Guernsey through his photography, in the hope that there will be a greater appreciation of the Island’s biodiversity and the urgent need to protect local wildlife and their habitats. Barry Wells is co-founder and honorary President of The Pollinator Project, having co-founded the project in 2017 with Vanessa Crispini-Adams.\u003c/p\u003e"
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"bodyText":"\u003cp\u003eGuernsey Arts is proud to present the 2023 Open Exhibition, in its fourth year, the event truly established in bringing artists together in celebrating the talent we have within the Bailiwick.\u003c/p\u003e\n\u003cp\u003eThis year we have seen an unprecedented forty percent increase in artists submitting work. We need no more validation than this in the value of the Open to the community. We understand the importance the exhibition plays in bringing artists together and over the four years we have seen the event act as a catalyst for collaboration, inspiration, and importantly a place for new, upcoming, and recently arrived artists to the islands to exhibit alongside established artists and to be introduced to the community meeting likeminded people, building friendships.\u003c/p\u003e\n\u003cp\u003eIn hosting the free exhibition at the George Crossan Gallery, we make the work accessible to the wider community to enjoy and we thank Bailiwick estates for their continued support in enabling this.\u003c/p\u003e\n\u003cp\u003eA special mention to the judging panel and the team at Guernsey Arts for the great work in organising and curating the project, with particular thanks to Jared.\u003c/p\u003e\n\u003cp\u003eFinally, we thank all the artists that have contributed to the exhibition, the creative talent on show is truly inspiring.\u003c/p\u003e\n\u003cp\u003e\u003cstrong\u003eRuss Fossey\u003c/strong\u003e\u003cbr /\u003e\u003cem\u003eHead of Arts Development\u003c/em\u003e\u003c/p\u003e"
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"bodyText":"\u003cp\u003e\u003cstrong\u003eWelcome to the Fifth edition of the Guernsey Arts Open\u003c/strong\u003e\u003c/p\u003e\n\u003cp\u003eCan you believe it? 2024 marks the fifth year of the Guernsey Arts Open and we are so glad that you are here, viewing these amazing artworks. \u003cbr /\u003eThis diverse exhibition celebrates the breadth of creative talent we have here within the Bailiwick and goes from strength to strength each year. “The Open” has come to be known as a place where artistic friendships are forged and brings together artists of all ages.\u003cbr /\u003e\u003cbr /\u003eA New Chapter for Guernsey Arts\u003c/p\u003e\n\u003cp\u003e2024 marks a new chapter for Guernsey Arts, as thanks to financial support from the Swallow Charitable Trust 2018, we have officially taken over management of The George Crossan Gallery for the next five years. We are very grateful to The Swallow Trust for believing in our vision of access to the arts for all and for facilitating the management of this beautiful space within the historic Market Buildings.\u003c/p\u003e\n\u003cp\u003eThank you for being P\u003cstrong\u003eART\u003c/strong\u003e of it\u003c/p\u003e\n\u003cp\u003eEarlier this year, we also launched our Guernsey Arts Membership Scheme and we are thankful to all our members for their heartfelt support and encouragement. You are helping us make a difference through the arts.\u003c/p\u003e\n\u003cp\u003eThe success of this exhibition could not be achieved without our incredible artists. Thank you for taking the time to submit your work and for sharing your achievements with us. Thank you also to our Judging Panel, to the Guernsey Arts team and to Bailiwick Estates for their continued collaboration and support. \u003cbr /\u003e\u003cbr /\u003e\u003cem\u003eRuss Fossey\u003c/em\u003e\u003cbr /\u003eHead of Arts Development\u003c/p\u003e"
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"bodyText":"\u003cp\u003eIt is well established that public art supports regeneration and adds vibrancy and fun to the surrounding area. It gives a community sense of place and pride, whilst stimulating economic activity. Bailiwick Estates and Guernsey Arts are working together to develop the Arch Art project within the Market Street Arches, creating a vibrant “Public Art Gallery”.\u003c/p\u003e\n\u003cp\u003e \u003c/p\u003e\n\u003cp\u003e\u003cstrong\u003eCurrent Arches\u003c/strong\u003e\u003c/p\u003e\n\u003cp\u003e \u003c/p\u003e\n\u003ch5\u003e\u003cem\u003e\u003cstrong\u003eArch 1: Giraffe by Adam Gillson\u003c/strong\u003e\u003c/em\u003e\u003c/h5\u003e\n\u003cp\u003eThe given brief details something for today and the future, to me, today is a child. A\u003cbr /\u003elife size giraffe in a friendly cartoon style that all children will see on their visits to town can be a memory they will hold onto as they grow up. They might remember the St Peter Port Giraffe, their parents certainly will as they point it out to them.\u003c/p\u003e\n\u003cp\u003eCompleted: April 2023\u003c/p\u003e\n\u003ch5\u003e\u003cem\u003e\u003cstrong\u003eArch 2: The Sky is the Limit by Bjorn Martin\u003c/strong\u003e\u003c/em\u003e\u003c/h5\u003e\n\u003cp\u003eThis is a forward thinking piece that inspires hope and draws upon nature \u0026amp; the environment. The robin is a universal symbol for growth, while an orange moon is symbolic for transformation and change, both of these elements point towards an exciting future ahead.\u003c/p\u003e\n\u003cp\u003eCompleted: Jan 2023\u003c/p\u003e\n\u003ch5\u003e\u003cem\u003e\u003cstrong\u003eArch 3: In Our Hands by Alisha Flouquet\u003c/strong\u003e\u003c/em\u003e\u003c/h5\u003e\n\u003cp\u003eMy piece is based around two main themes that are close to my heart which are environmental awareness and body positivity. I feel like this piece of work represents a different way of exploring environmental issues through my personal style and the emphasis on nature and the natural human form.\u003c/p\u003e\n\u003cp\u003eCompleted: April 2023\u003c/p\u003e\n\u003ch5\u003e\u003cem\u003e\u003cstrong\u003eArch 4: Genesis by Vivien Ferneyhough\u003c/strong\u003e\u003c/em\u003e\u003c/h5\u003e\n\u003cp\u003eAs powerful scientific telescopes penetrate further into deep space and time, we are still left seeking answers to the eternal questions \u0027Is there a beginning? Why are we here? Are we alone? Are there any limits to the universe?\u0027 So, paradoxically, our past becomes our present and our future.\u003c/p\u003e\n\u003cp\u003eCompleted: April 2023\u003c/p\u003e\n\u003cp\u003e \u003c/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003ePrevious Arches\u003c/em\u003e\u003c/strong\u003e\u003c/p\u003e\n\u003cp\u003e\u003cem\u003eGuernsey Together by Soroptimist International Guernsey - August 2022\u003c/em\u003e\u003c/p\u003e"
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"bodyText":"\u003cp\u003eThis year we have been thoroughly impressed with the quality and quantity of artwork submitted and we are very excited to share this with you.\u003c/p\u003e\n\u003cp\u003eAt Guernsey Arts our aim is to promote, support and inspire local artists of all levels of experience and exposure, our annual Arts Open is one of the ways that we can offer this.\u003c/p\u003e\n\u003cp\u003eAt the Arts Open most of the pieces are for sale, with the festive period approaching why not gift yourself or someone close to you one of the pieces on display or even ask about a unique commission of your own.\u003c/p\u003e"
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"bodyText":"\u003cp\u003eShore, Lines and Brush Marks by Rosanne Guille and Deborah Grice\u003c/p\u003e\n\u003cp\u003eRosanne Guille and Deborah Grice met whilst studying at the Royal College of Art, London in 1996. Contrasting in artistic style, both artists are inspired by landscape, developing plein-air studies into compelling artworks. In this, their first joint exhibition, they come together to exhibit work inspired by Guernsey’s coastline.\u003c/p\u003e\n\u003cp\u003eThe exhibition takes place within the Greenhouse Gallery, situated within Candie Museum.\u003c/p\u003e\n\u003cp\u003eOn display from 21/10/22 - 31/12/22\u003c/p\u003e"
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"bodyText":"\u003cp\u003eLast year Fiona was the winner of our annual Arts Open with her painting \u0027The sky shook out the days\u0027. As part of this we are supporting her in exhibiting her work within the George Crossan Gallery.\u003c/p\u003e\n\u003cp\u003eThe exhibition takes place at the George Crossan Gallery, Inner Market from the 1st of November till the 7th of November*.\u003c/p\u003e\n\u003cp\u003e*The Gallery is closed on the 6th of November.\u003c/p\u003e"
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"bodyText":"\u003cp\u003e\"It\u0027s all about the act of \u0027play\u0027 and embracing the speculatory\"\u003c/p\u003e\n\u003cp\u003eA journey through a place, sculptural vessels which are in transition, moving across a space directly in opposition to each other. The opposition is not so relevant; there is no real opposition, there is a sort of coexistence. A relationship between two structural forms, on a journey across the gallery space. Releasing energy represented by manifestations, discarded forms and effigies of creation.\u003c/p\u003e\n\u003cp\u003e\"\u0027A Journey To The End\u0027 I hope encapsulates my practice as an artist. A culmination of a series of ideas, I\u0027ve had over the last few years. It\u0027s also the chance to inspire and encourage people do the same and realise their creative potential.\"\u003c/p\u003e\n\u003cp\u003eAn installation by Chris Simcox exhibited at the Greenhouse Gallery\u003c/p\u003e\n\u003cp\u003e2nd August - 9th October 2022\u003c/p\u003e"
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"bodyText":"\u003cp\u003e\u003ca href=\"https://theclockbarnstudio.gg/bridget-spinney/\"\u003eBridget Spinney\u003c/a\u003e\u003c/p\u003e\n\u003cp\u003eBridget’s work has always been inspired by nature and the environment, particularly that of the seashore.\u003c/p\u003e\n\u003cp\u003eThe Art of Nature on Paper was a project endeavouring to facilitate nature to create art. It was a natural progression that organic mediums be used to create the work and retain its environmental integrity.\u003c/p\u003e\n\u003cp\u003eBridget devised methods of using charcoal powder to print the unique and transient patterns left on the shore after the tide had receded.\u003c/p\u003e\n\u003cp\u003eThe images have a raw quality, which seem to retain the very essence of the sea.\u003c/p\u003e\n\u003cp\u003eResearching natural mediums to print with, Bridget experimented with cuttlefish ink which had very satisfying results. It seemed the obvious way to capture some of the beauty in the seaweeds washed up on the shore: from the sea to the sea.\u003c/p\u003e\n\u003cp\u003eThe work is intended to be a celebration of nature in its purity, indulging in the wonder and magnificence of what is often taken for granted.\u003c/p\u003e\n\u003cp\u003eSadly it has become impossible to ignore how precious and rare nature in its unadulterated form is. Most clumps of seaweed washed on our shores are now threaded with the insidious scourge of plastic.\u003c/p\u003e\n\u003cp\u003eThis prompted the idea of the collaborative piece with Monika Drabot and Flexagon, Ghost Net.\u003c/p\u003e\n\u003cp\u003e \u003c/p\u003e\n\u003cp\u003e\u003ca href=\"https://www.flexagon-music.com\"\u003eFlexagon\u003c/a\u003e\u003c/p\u003e\n\u003cp\u003eFlexagon is a Guernsey-based sound mangler and musical instrument collec-tor. He is also an experienced DJ, music producer, sound engineer and composer.\u003c/p\u003e\n\u003cp\u003ePeople moving through the gallery trigger an ever-changing soundscape. Flexagon uses sound bites from popular culture along with abstract musical motifs made with rubbish cleared from Guernsey’s coastline by the Clean Earth Trust. This includes spent shotgun cartridges, water bottles, chemical containers, bicycle wheels and mooring buoys.\u003c/p\u003e\n\u003cp\u003eTriggered using motion sensors placed around the gallery, the resulting combination of sounds and music is never the same.\u003c/p\u003e\n\u003cp\u003e \u003c/p\u003e\n\u003cp\u003e\u003ca href=\"https://www.monikadrabot.com\"\u003eMonika Drabot \u003c/a\u003e\u003c/p\u003e\n\u003cp\u003e \u003c/p\u003e\n\u003cp\u003eMicroplastics, which often become ‘food’ for unsuspecting fish, are magnified several times larger than life, alongside the fishing net that leads the food chain back to us.\u003c/p\u003e\n\u003cp\u003eThe images are created using two filters to replicate the effect of pieces floating in the abyss of the ocean. A mixture of abstract items and chewed-up plastic that take on the appearance of small organisms themselves, captured in ‘bubbles’ as the projection of moving coloured light imitates the rhythm of the sea and adds an extra layer of immersion, trapping the viewer in the polluted ocean just like the fish.\u003c/p\u003e\n\u003cp\u003e \u003c/p\u003e\n\u003cp\u003e\u003ca href=\"https://www.cleanearthtrust.org\"\u003eThe Clean Earth Trust\u003c/a\u003e\u003c/p\u003e\n\u003cp\u003eWe are overrun by waste it is infiltrating our ecosystem, polluting soil, sand and sea. The Beach Clean Project is a citizen science project by The Clean Earth Trust to monitor and map ocean waste across the Bailiwick of Guernsey. Through collecting detailed data, we can start to understand the waste landscape along our coast in more detail, particularly its source. This annual report will then act as a base from which recommendations to local policy makers can be made on how the pollution, and ultimately its effects, can be mitigated. \u003c/p\u003e\n\u003cp\u003e \u003c/p\u003e\n\u003cp\u003e \u003c/p\u003e\n\u003cp\u003e \u003c/p\u003e"
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"bodyText":"\u003cp\u003eCreate a bumblebee\u003c/p\u003e\n\u003cp\u003eCreate a Lockdown Guernsey Butterfly \u003c/p\u003e\n\u003cp\u003eCreate a Solitary Bee\u003c/p\u003e\n\u003cp\u003e \u003c/p\u003e\n\u003cp\u003e \u003c/p\u003e\n\u003cp\u003e \u003c/p\u003e\n\u003cp\u003e \u003c/p\u003e\n\u003cp\u003e \u003c/p\u003e"
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"bodyText":"\u003cp\u003eThe German Occupation of the Channel Islands during WW2 continues to inspire generations of artists, poets and writers.\u003c/p\u003e\n\u003cp\u003eIn Living Memory is a commemoration and celebration for the 75th anniversary of the liberation of these islands. Contributors to the book include artists, authors, poets, historians and survivors, culminating in a publication coordinated by artist Olympia McEwan.\u003c/p\u003e\n\u003cp\u003eMany of the artworks and all of the poetry has been specifically created for the book. This exhibition is a wonderful opportunity to see these original works of art, in this beautiful gallery setting.\u003c/p\u003e\n\u003cp\u003eThis exhibition is curated in conjunction with the Greenhouse Gallery to commemorate seventy-five years of freedom and to showcase the works of art and poetry from this inspired publication. The purpose of the book is to re-present the subject of the Occupation of the Channel Islands to a new audience and to shed further light on the complex world experienced by these brave few islanders.\u003c/p\u003e\n\u003cp\u003e“I am not a specialist in this subject. However, my intention was to seek out those who are; to gain a better understanding. I am an artist and I have a passion for people and their stories. My interest lies in the social history of the occupation – the lived experience of this last generation of survivors. I also felt that this project was time-critical, as those with first-hand experience of the war years are becoming fewer in number.” Olympia McEwan\u003c/p\u003e\n\u003cp\u003eAs curator of the book, Olympia wanted to bring a fresh approach to the subject and to call upon those whose work would collectively illustrate this multifaceted moment in the history of the Channel Islands. The author Gilly Carr has worked tirelessly to uncover and present the stories of often forgotten islanders, whose lives were indelibly touched by trauma and loss. Annie Barrows shares her trepidation as an author and resolves to find a universal message in her book (The Guernsey Literary and Potato Peel Pie Society) - that of respect and of a deeper understanding in our shared humanity. Throughout their working practise, artists such as Jeni Snell and Chris Foss have been inspired to use the iconic German fortifications in their paintings, to illustrate their imposing nature on the beautiful cliffs and coastline of our islands but with an added personal twist. And poets such as Trudie Shannon and Nicholas Rowe have drawn on family memories passed through the generations, to create their insightful and moving poetry.\u003c/p\u003e\n\u003cp\u003e“I can hardly believe it was seventy-five years ago that Guernsey was liberated from Nazi Occupation. It is of course vitally important that we keep memories alive of this momentous time in Guernsey’s history for future generations. In spite of terrible hardship and fear that they lived under, local people went out of their way to ensure that others were safe and fed. The occupation years of 1940 to 1945 were very dark and troubled years, but the people of Guernsey came together and helped each other. That shared experience has greatly influenced how we have lived our lives personally and shaped the island’s character in the years since.” Molly Bihet\u003c/p\u003e\n\u003cp\u003e“There are still many islanders who remember May the 9th 1945, when the bells of the Town Church rang out after five years of silence. They remember singing ‘Sarnia Chérie’ to mark the arrival of the British liberating troops. A day that would from then on be known as Liberation Day.” \u003c/p\u003e\n\u003cp\u003eDame Mary Perkins\u003c/p\u003e\n\u003cp\u003eThere are many people to whom I am indebted. I am grateful to all those who gave their time, knowledge, and skills to this book – starting with all my wonderful contributors, without whom this book would not exist; Ethel Brouard, Marion Dorey, Shirley Falla, Peter Gaudion, Margaret Le Conte, Mavis Lemon, Diana Nicole, Janet de Santos, Naomi Taylor, Paul Chambers, Mark Cook, Chris Foss, Rosanne Guille, Molly Harris, Sian Jones, Frances Lemmon, Pip Looijenga, Jeni Snell, Ryan Morley, Annie Barrows, Gilly Carr, Richard Fleming, Richard Guille, Nick Le Messurier, Nicholas Rowe, Trudie Shannon and Karen Simpson.\u003c/p\u003e\n\u003cp\u003eI would also like to thank Steve Foote (Blue Ormer Publishing), Claire Allen (Director of Guernsey Literary Festival), Elmarie Brache (Coach House Gallery), Maggie Le Conte for liaising with Margaret Le Conte and Chris Foss, Lisa Burton for her assistance with the Museum Collection, Paul Chambers and Graham Jackson for their assistance with the high quality images we can enjoy in the book, to Molly Bihet for her warm welcome into her home and to her daughter Carol for assisting with the introduction to the book. Thank you also to Ryan Morley for helping to create the cover design, to Anna Smith and Debbie Torode for their awesome typing skills, to Jane Moss and Mary Carey for their eagle-eyed proofreading and thank you to Bianca Sarafian for her awesome editing advice. And finally, I would like to say a huge thank you to Dame Mary Perkins, for her support right from the beginning of the project and for her sponsorship of the printing of the book.\u003c/p\u003e\n\u003cp\u003eThank you also to Russ Fossey and Monika Drabot from the Guernsey Arts Commission for their enthusiasm for the book and kind offer to show the visual arts and some of the poetry in this beautiful Greenhouse Gallery exhibition. Finally my thanks to Art Foundation Guernsey for sponsoring the exhibition. \u003c/p\u003e"
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"bodyText":"\u003cp\u003e\u003cstrong\u003eIn 1945 the Islands of Guernsey felt the relief of Liberation from the occupying forces. This momentous day has been celebrated annually by all who live (or have lived) in the Islands, and still has significant meaning to all. \u003c/strong\u003e\u003c/p\u003e\n\u003cp\u003e\u003cstrong\u003eThis year marks the 75th anniversary of that most important day. The intention has been to celebrate bigger and better than ever in order to honour those who lived through it, those who fought for us and those who died for us to receive a freedom that not everyone has available to them. \u003c/strong\u003e\u003c/p\u003e\n\u003cp\u003e\u003cstrong\u003eEvents this year has given the world just a small glimpse of how the lives of some of those living through the Occupation may have been, with all our lives having had to change. Despite this, we still remember. We remember what was faced by those \u003c/strong\u003e\u003c/p\u003e\n\u003cp\u003e\u003cstrong\u003eliving through the Occupation, and how incredible the feeling of freedom as a result of Liberation must have been. We also remember that whilst we, in the Islands, have been fortunate with the freedom that we retain, this is not the story across the world. \u003c/strong\u003e\u003c/p\u003e\n\u003cp\u003e\u003cstrong\u003eWe asked our community to respond in whatever medium they chose to a simple \u003c/strong\u003e\u003c/p\u003e\n\u003cp\u003e\u003cstrong\u003equestion – After 75 years of freedom, what does Liberation mean to me? The purpose of this brief was to keep it open and allow everyone to respond as they wished. The number of participants has been exceptional, and as a result we have been able to curate this exhibition which shows off the talents and feelings of the people living in Guernsey today. \u003c/strong\u003e\u003c/p\u003e\n\u003cp\u003e\u003cstrong\u003eWe hope that you value and enjoy the trail that our community has created.\u003c/strong\u003e\u003c/p\u003e"
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"bodyText":"\u003cp\u003eGuernsey Arts is proud to present the Guernsey Arts Open Exhibition 2021. \u003c/p\u003e\n\u003cp\u003eThe exhibition is a celebration of the vibrant local Art scene and brings together established, upcoming and emerging artists of all ages to showcase their talents. \u003c/p\u003e\n\u003cp\u003eIn the face of the global pandemic, many more people looked to the arts for comfort and to provide a form of expression and escapism; the importance of the arts and creativity was made very clear in this time as the \u003c/p\u003e\n\u003cp\u003ecommunity had chance to slow down and take time to discover or rediscover artistic hobbies and very importantly express themselves. The array of positivity and enrichment the arts provide is reflected in the pieces here today. \u003c/p\u003e\n\u003cp\u003eThis exhibition further establishes the Arts as having a key role to play in the enrichment of our lives, enhancing our education, supporting our health, wealth and happiness, and making a vital contribution to the vibrancy of the island. \u003c/p\u003e\n\u003cp\u003eA massive thank you to all the artists who have contributed to this exhibition, only made possible by your wonderful talent and creativity. \u003c/p\u003e\n\u003cp\u003eWe would like to thank the judges Rosanne Guille and Steve Harrison for choosing the work on display. \u003c/p\u003e\n\u003cp\u003eOur thanks also go to Bailiwick Estates. For their continued support.\u003c/p\u003e"
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"bodyText":"\u003cp\u003eGuernsey Arts is proud to present the first Bailiwick Wildlife Photographer Open.\u003c/p\u003e\n\u003cp\u003eLast year we asked Photographers from the Bailiwick to submit their wildlife photographs. The result was amazing with 50 photographers across all ages and levels submitting entries, the result you see here, creating a unique insight into Bailiwick wildlife including birds, insect and marine life. \u003c/p\u003e\n\u003cp\u003eAlongside the open, we are also delighted to feature the work of Chris Bale and we thank Chris for allowing us an insight into both the professional and personal side of his life. \u003c/p\u003e\n\u003cp\u003eWe would like to thank Nick Despres and Chris Bale for judging the submissions and deciding on the final pieces that make up this wonderful exhibition. \u003c/p\u003e\n\u003cp\u003eThanks go to Arts Foundation Guernsey for sponsoring the exhibition. \u003c/p\u003e\n\u003cp\u003eA big thank you to all the photographers that make up this exhibition, it couldn’t have happened without your wonderful work.\u003c/p\u003e\n\u003cp\u003e \u003c/p\u003e"
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"bodyText":"\u003cp\u003ePublic Art has the potential to energise the beauty of our island and St Peter Port. It is a route to appreciating, valuing and promoting our artists and arts community.\u003c/p\u003e\n\u003cp\u003eThe sense of a vibrant contemporary arts environment promotes tourism, the wellbeing of the community and greater trust and community with the rest of the world.\u003c/p\u003e\n\u003cp\u003eA vibrant presence of art, artists and artistic output in the public domain is essential to maximise the value and perception of our arts and heritage.\u003c/p\u003e\n\u003cp\u003eMost cities in the world have very active public arts programs. They are supported by government, planners and local authorities because the value is well understood. Iconic pieces of public art are often replicated in many place, for instance there are Before I die .... walls in 60 different countries. \u003c/p\u003e\n\u003cp\u003eThis exhibition is a mix of public art that we have in Guernsey with iconic pieces of public art from all around the world. The idea is to show the bond that public art creates in the international community and our part in it. Let us know what your favourite pieces are.\u003c/p\u003e"
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"bodyText":"\u003cp class=\"x_MsoNormal\"\u003eGuernsey Arts and the States of Guernsey are proud to have worked together in order to create a snapshot of the community’s creativity, and what it meant to those creating during Lockdown 2021. This will be seen as an important insight into island life and how islanders felt as we went through a strange, difficult and notable point in our history.\u003c/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003e \u003c/p\u003e\n\u003cp class=\"x_MsoNormal\"\u003eMany thanks to all those have taken part; we hope you enjoy these creations.\u003c/p\u003e"
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"bodyText":"\u003cp\u003eWho am I as an artist? I am, as an artist exactly who I am as a person. Trudie, woman, artist, poet, mother, wife. \u003c/p\u003e\n\u003cp\u003eWhether I am an artist who writes or a poet who paints I’m never sure. Both emanate from the same source and I doubt whether one is more \u003c/p\u003e\n\u003cp\u003esignificant than the other. When inspired I draw. (I am rarely inspired to draw from life, from reality.) \u003c/p\u003e\n\u003cp\u003eHowever, I have no pre-conceived plan of the outcome of the image when I first put pencil to paper. Once I commence painting, I feel my way into the image and into colour. It is not a conscious action but a sensation that \u003c/p\u003e\n\u003cp\u003eencapsulates me physically, predominately in the area of my chest, as I \u003c/p\u003e\n\u003cp\u003eregard my palette. I then feel drawn to particular colours, each image is a mystery journey from its outset to its conclusion. \u003c/p\u003e\n\u003cp\u003eAt its conclusion I regard the finished painting much like an individual in a gallery ‘seeing it’ for the first time. \u003c/p\u003e\n\u003cp\u003eI feel I need to look at it many many times, as if to familiarise myself with it. To a degree, (if I like it) it’s a little like a love affair. I need to be close to it for several days. Each time I look I see and feel something new. \u003c/p\u003e\n\u003cp\u003eIs there a hidden narrative? Possibly. I am aware that as I paint sometimes a story evolves in my head but not necessarily one that can be conveyed to any viewer. I may give certain elements a voice. This is particularly true in the series on show. \u003c/p\u003e\n\u003cp\u003eMy medium is and always has been watercolour though I do not use it in the conventional sense. My work has often been thought to be done in anything but! The main reason for this is the sheer intensity of colour. I quite frequently use the paint directly from the tube without dilution. In the main I work with very fine brushes as much of it is finely detailed. \u003c/p\u003e\n\u003cp\u003eWhere does my inspiration come from? I’m not sure that in the style of work I create that I can say it comes from anywhere except from within. I do not and cannot paint to order. Over the years I have been asked many times if I have travelled to South America or Africa. I have even had reference made to Aboriginal art as my paintings seemed to be reminiscent of the artwork of these places. I have been delighted and a little proud to think that people make such a connection but The answer is No. \u003c/p\u003e\n\u003cp\u003eHowever I am unsurprised by the apparent link. We are human beings living on the same earth and I believe the creative river flows about us all. The style I have, has evolved since I started painting aged 18. I have not \u003c/p\u003e\n\u003cp\u003estudied art. I appreciate it but I do not spend time poring over art books or going into galleries, though if the \u003c/p\u003e\n\u003cp\u003eopportunity arises I am happy to do the latter. \u003c/p\u003e\n\u003cp\u003eThe opposite can be said of my poetry which is most definitely inspired by my environment and the people who live within it. I do also write poems that are somewhat surreal in content which emerge from the same place as the paintings and it is also true that on occasion a poem will inspire a painting and vice versa. The only \u003c/p\u003e\n\u003cp\u003esimilarity between the two art forms for me is that with painting, I start with a line and follow it not knowing where it will lead and with my poetry a first line comes into my head and I follow it. I do know when something, a person, a situation will evolve into a poem. as the line arrives often in a given moment. It may take hours or days before I put that line down to evolve and grow into a fully fledged poem. \u003c/p\u003e\n\u003cp\u003eI write open verse so there are no restrictions and much the same with the paintings, I paint in my own style so am not compelled to follow any format. I do not set out in any given day, to paint a picture or write a poem. \u003c/p\u003e\n\u003cp\u003eInspiration is my creative keeper and I am beholden to her whim. \u003c/p\u003e\n\u003cp\u003eTo the viewer: \u003c/p\u003e\n\u003cp\u003eI am the artist, you are the viewer. I offer you my paintings and my words, may they touch your eyes, your hearts, may they speak to you. If they do none of these things no matter, for your presence alone gives them purpose. \u003c/p\u003e"
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"bodyText":"\u003cp\u003eWhat is now the 7 Nocturnes East project and album did not crystallise as a complete and fully formed idea. There was no single bolt of inspiration. It evolved over time, spiralled slightly out of control and has now taken on a life of its own.\u003c/p\u003e\n\u003cp\u003e\u003cbr /\u003eSome background to how the ideas around the music and exhibition developed: I love walking around Guernsey late at night listening to music. Mostly there is no one around, you appear to have the island to yourself. I also love the sound of the environment blending with whatever I’m listening to.\u003c/p\u003e\n\u003cp\u003eThe project started when I realised I’d never made any music inspired by Guernsey. Using just one synthesiser and imagining Bordeaux in the morning, I composed Bordeaux 7am. Buoyed by the online reaction to this ambient piece, I moved on to working on St Peter Port 1am. My first experience writing for traditional instruments it includes violins, violas, cellos, Rhodes piano and bass, along with found sound. It was then, and still is, easily my most ambitious work. I made a recording at St Peter Port harbour and enjoyed how the captured audio interacted serendipitously with the music. These two pieces then pointed towards a bigger project.\u003c/p\u003e"
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"bodyText":"\u003cdiv class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003eThis exhibition draws together the three disciplines that I have studied; Art, Archaeology and History and they have inspired and motivated me to produce this body of work.\u003c/p\u003e\n\u003cp\u003eMoreover, this approach has enabled the creation of a multi faceted interpretation of the marks in the Guernsey landscape.\u003c/p\u003e\n\u003cp\u003eI have used texture, colour and line to reflect an overall theme of continuity and change. This, together with the study of aerial photographs and my personal experience of archaeological investigation, has resulted in depictions on canvas of not only the shapes of the geological landscape, but also the impact that political, historical and social circumstances had on the forms and functions of the buildings and field systems that helped shape the landscape through time.\u003c/p\u003e\n\u003cp\u003ePolitical conflict or the perceived threat of invasion has remained a strong theme throughout the history of the island and I have included the marks left by Iron Age inhabitants of the island as a reminder that although technology and building practice may change, some social values do not. We share and shared the need to protect, shelter and defend our families and communities. The Vale Castle, Les Tranquesous and Kings Road are examples of how we have moved from pre-history through into the modern era by using and adapting the same prominent position in the landscape to survive.\u003c/p\u003e\n\u003cp\u003eOf course nature and the forces of nature have played a hugely significant role in shaping or impacting on ourselves and the environment; as we progress through time, it remains a constant driving force and our efforts to control or reclaim land for ourselves often fail. The stone, brick and concrete structures humans build eventually decay allowing nature to take back some of its territory; and in doing so changing our perception of the form and function of these marks in the landscape. By using strong, bold colours to indicate the power that is still present in some of these structures, and line and texture to make a contrast between the material structures and the natural elements, my intention is to convey a sense of tension and unease in some images and conversely a sense of harmony with nature and the ebb and flow of time through others. It has not been my intention to create what may be called “realistic” images, but rather my own perception of realism and I hope that my interpretation of the marks in the Guernsey landscape and the marks that I have made on the canvas will resonate in some way with you all.\u003c/p\u003e\n\u003cp\u003eMy thanks go to Guernsey Arts for giving me this opportunity to exhibit my work and Art Foundation Guernsey for sponsoring the exhibition.\u003c/p\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003c/div\u003e\n\u003c/div\u003e"
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"bodyText":"\u003cp\u003e\u003cstrong\u003eFACES\u003c/strong\u003e\u003c/p\u003e\n\u003cp\u003eI’ve always loved drawing and painting, I have an uncle who was an artist in Zimbabwe where I grew up. He used to encourage his eldest daughter and I to try to “out draw/paint” each other, from as far back as I can remember, and then our parents would give us a score that evening. I’m pretty sure it was a way of keeping us busy and quiet, but the side effect was we both learnt a lot about colour and interpretation from an early age and also learnt to love art! (I won’t bring up the mock boxing ring they used to set up for us when we were fighting.. but Michelle is still one of my favourite people!) \u003c/p\u003e\n\u003cp\u003eI was lucky enough to attend a high school in Harare with an incredible art department, and was fortunate to have a teacher who gave everything she had to give to her class, and as a result most of us received A’s for our O levels. The days spent in her art department were the days I lived for.\u003c/p\u003e\n\u003cp\u003eFast forward to adulthood and it’s a blur of interior-design, graphic design, a little ceramic painting and having children, and then back to 3 years of private tutoring, again with an incredible lady who improved my techniques and ironed out strange and bad habits. This is the period where I built up the courage to tackle “faces” because it’s the one aspect of art where you’re either “right or wrong!” ( well that’s my opinion, anyway) I absolutely love portraiture, especially painting eyes. I love abstracts too, and that’s how some of my portraits evolved into abstract faces, but I am hell bent on making sure the person is still recognisable even if they are a swirl of unusual colours and shapes. My happiest days are spent painting, with my favourite music floating around me, I lose track of time completely. \u003c/p\u003e\n\u003cp\u003eEarly in my career I received commissions to paint high profile South African politicians, including Nelson Mandela, Oliver Tambo, Jacob Zuma and Archbishop Desmond Tutu. I wasn’t sure my zoomed in/close up, huge face studies would be well received; however my fears were allayed when the \u003c/p\u003e\n\u003cp\u003eOliver Tambo portrait, which is massive and entirely Mr Tambo’s face, was chosen to hang in The Thabo Mbeki Presidential Library. The other large portraits also hang in prominent parliamentary buildings. So my love of faces has paid off! \u003c/p\u003e\n\u003cp\u003eMy goal is to get back to painting full time, my happy place is in front of an easel. Portraiture is still my first love, followed closely by abstracts and flowers. \u003c/p\u003e\n\u003cp\u003eThank you for taking the time to view my exhibition, I hope you all enjoyed it. Before you leave, please be kind enough to take a moment to write one word or a sentence to let me know if a certain piece or the collection \u003c/p\u003e"
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"bodyText":"\u003cp class=\"p1\"\u003e \u003c/p\u003e\n\u003cp class=\"p2\"\u003eMy interest in William Le Lacheur started in 2015 when I was commissioned by the late Joan Ozanne MBE to paint two oil paintings for the Forest School. One was of William Le Lacheur and the other was of his ship The Monarch, together they hang in the foyer of Forest School.\u003c/p\u003e\n\u003cp class=\"p2\"\u003eThe portrait of William Le Lacheur intrigued me and as she was always willing and happy to share her enthusiasm for the subject, Joan told me more about this famous Guernsey man and his endeavours.\u003c/p\u003e\n\u003cp class=\"p2\"\u003eThe more I found out about him, the more I realised that not many people knew this story and so began a journey to reach William Le Lacheur’s Costa Rica – a journey that was realised last January through the Guernsey Arts\u003c/p\u003e\n\u003cp class=\"p2\"\u003eCommission when I set off for San Ramon for a three week art residency. Whilst in San Ramon I lived with a local family, which had a space to paint in and\u003c/p\u003e\n\u003cp class=\"p2\"\u003ecurated a pop-up exhibition of my sketches in San Ramon Regional Museum.\u003c/p\u003e\n\u003cp class=\"p2\"\u003eThroughout 2019, as part of their ongoing collaboration with Art for Guernsey, 16 local schools also studied William Le Lacheur’s legacy. The pupils produced artworks inspired by his lifetime achievements in Costa Rica. The project also included a Football Festival where hundreds of children played with their own designed shirts inspired by the special relationship between Costa Rica and Guernsey. It culminated in a shared exhibition in June 2019 of the student’s work and my paintings of Costa Rica.\u003c/p\u003e\n\u003cp class=\"p2\"\u003eFinally, this exhibition looks at the various different aspects of William Le Lacheur; humble Guernsey man, ambitious entrepreneur, political champion but above all things, a true humanitarian.\u003c/p\u003e\n\u003cp class=\"p2\"\u003eI would like to thank the Guernsey Arts Commission and Arts Foundation Guernsey for enabling this exhibition to happen.\u003c/p\u003e\n\u003cp class=\"p2\"\u003eMy thanks also to Guernsey Museums and Galleries, Art for Guernsey, Melissa Mourton, Armanda Vargas-Araya, Sheila Pacheco, Peter Lyons, David Ummels, Gillian Lenfestey, Sian Ellis and Isabel Chaves for their individual contributions to this project.\u003c/p\u003e\n\u003cp class=\"p3\"\u003eFrances Lemmon\u003c/p\u003e"
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"bodyText":"\u003cp\u003e \u003c/p\u003e\n\u003cp\u003eThe Guernsey Arts Commission is proud to present \u003c/p\u003e\n\u003cp\u003eThe Open Arts Exhibition 2020 \u003c/p\u003e\n\u003cp\u003eThe exhibition is a celebration of the vibrant local Art scene and brings together established, upcoming and emerging artists of all ages to showcase their talents. \u003c/p\u003e\n\u003cp\u003eA result of an open competition where 83 artists submitted 240 artworks, this exhibition features 61 of these artists work physically in the gallery, with all 240 artworks displayed digitally. In the face of the global pandemic, many more people looked to the arts for comfort and to provide a form of expression and escapism; the importance of the arts and creativity was made very clear in this time as the community had a chance to slow down and take time to discover or rediscover artistic hobbies and skills. The array of positivity and enrichment the arts provide is reflected in a number of pieces here today. \u003c/p\u003e\n\u003cp\u003eThe exhibition at this time further establishes the Arts as having a key role to play in the enrichment of our lives, supporting our bounce back and the bailiwick’s Revive and Thrive strategy. \u003c/p\u003e\n\u003cp\u003eA massive thank you to all the artists who have contributed to this exhibition only made possible by your wonderful talent and creativity. \u003c/p\u003e\n\u003cp\u003eWe would like to thank Margaret Howell and Adam Stephens for choosing the work displayed. \u003c/p\u003e\n\u003cp\u003eMany Thanks to Bailiwick Estates.\u003c/p\u003e"
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"bodyText":"\u003cp\u003eWe are delighted that Bailiwick estates have supported us in extending the exhibition at the George Crossan Gallery -Inner Market.\u003c/p\u003e\n\u003cp\u003e23rd March -12th May 9am until 4.30pm Monday to Saturday \u003c/p\u003e\n\u003cp\u003e\u003cstrong\u003eProject Statement: Rob Sweeney - Painting a Day 2020 (366) \u003c/strong\u003e“The seeds of this present project were sown in 1999. At this point in time a lot of focus was on the millennium and like other people I felt like I wanted to create something to mark this point in time, but wanted it to be meaningful. After some consideration I decided the best way to do this for me personally was to attempt to capture the year where I was, in Guernsey, by producing a plein air painting every day at a different location on the island. Some days were easier than others, but the project as a whole taught me a lot about materials, my practice and self-discipline. The project seemed to really connect with people on and off the island. The collection of work was displayed at the Millennium Arts Centre, the Eisteddfod exhibition and St Pierre Park hotel. On New Year’s Eve 2009, we were on Lihou with a group of friends and it struck me that it had been 10 years since the millennium project. I thought carefully then decided to repeat the challenge, this time allowing myself the use of photographs for reference as and when needed each day. created a website and uploaded each days painting in order to reach a wider audience. Almost as soon as I had completed 2010’s challenge I had subconsciously decided that I would repeat the challenge in 2020. I intially thought I would use oils, but decided the logistics of watercolour would be easier to handle on a day to day basis. I also felt that there was much more to explore with this wonderful medium. Who could have foreseen on January 1st how this year would pan out? What the pandemic has shown me is how lucky we are to live on this special island. It has been really lovely to hear how my paintings of Guernsey have meant such a lot to people on and off island. This has been made possible through the use of facebook and Instagram. It is a privilege to live here and be amongst such a great community of people. Roll on 2030!! \u003c/p\u003e"
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"bodyText":"\u003cp class=\"p1\"\u003eNina Molnar and Christine Shaw are experienced multimedia artists who enjoy a creative challenge. Their joint exhibition celebrates the latest phase of their artistic versatility.\u003c/p\u003e\n\u003cp class=\"p1\"\u003eSince completing our HND in Fine Art at the College of Further Education, we have been working on separate projects but had been keeping in touch and sharing ideas. We decided to collaborate on a new project as a stimulus to freshly motivate and move our current work forward. It was felt that the concept of a randomly generated formula would also grant the freedom for interpretation, individual style and personal art language. So in 2016 our ‘5 x 10’ project was initiated.\u003c/p\u003e\n\u003cp class=\"p1\"\u003eThe BRIEF for ‘5xlO’:\u003c/p\u003e\n\u003cp class=\"p1\"\u003eSelect five publications of various genres; find the tenth page, the tenth line, and then the tenth word of each. Employ these words as a framework on which to base research and subsequent artwork. Despite our diverse styles, our creative journeys followed a similar path initially, as we coincidentally chose to work with a monochrome palette before exploring the boundless possibilities of our given focus and chosen medium. Due to personal\u003c/p\u003e\n\u003cp class=\"p2\"\u003ecommitments work for the exhibition has been ongoing throughout the four year period so we are delighted that Guernsey Arts has given us the opportunity to exhibit our body of work at the greenhouse Gallery.\u003c/p\u003e"
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"bodyText":"\u003cp\u003eArtist statement:\u003c/p\u003e\n\u003cp\u003eI’m interested in colour, line and shape in the context of the landscapes that surround\u003c/p\u003e\n\u003cp\u003eus whether it’s urban or the natural environment. To reveal what maybe hidden and\u003c/p\u003e\n\u003cp\u003estrip back, to discover the multi-layered world that surrounds us. This kind of leads\u003c/p\u003e\n\u003cp\u003eme to become fascinated with mixing shapes and constructions with the playful use\u003c/p\u003e\n\u003cp\u003eof colour, texture and line. I also have a keen interest in illustration, graphic design and\u003c/p\u003e\n\u003cp\u003edrawing, especially birds.\u003c/p\u003e\n\u003cp\u003e \u003c/p\u003e\n\u003cp\u003eThe Guernsey Arts Commission would like to thank the\u003c/p\u003e\n\u003cp\u003eArts Foundation Guernsey for funding the project and the Team at\u003c/p\u003e\n\u003cp\u003eGuernsey Airport for their help and support in realizing the initiative.\u003c/p\u003e\n\u003cp\u003eAnd of course Artist Chris Simcox for creating such a wonderful\u003c/p\u003e\n\u003cp\u003epiece of Art.\u003c/p\u003e\n\u003cp\u003e \u003c/p\u003e\n\u003cp\u003eGuernsey Arts: presents the piano project. Earlier this year the GAC\u003c/p\u003e\n\u003cp\u003eorganised an opportunity for local artists to put forward their ideas to design the\u003c/p\u003e\n\u003cp\u003eArtwork for a Piano to be placed at the Guernsey Airport Terminal. With a final\u003c/p\u003e\n\u003cp\u003epublic vote, Artist Chris Simcox was chosen to recreate his concept on the Piano and\u003c/p\u003e\n\u003cp\u003ehas produced an extraordinary Art work, which depicts a walk-through Guernsey\u003c/p\u003e\n\u003cp\u003elandscape from dawn to dusk. The painting is of a bright nature colourful a full of life.\u003c/p\u003e\n\u003cp\u003eThe images on the piano creates a movement from one place to another in a fluid and\u003c/p\u003e\n\u003cp\u003emusical way. The piano is not only beautiful as a work of visual public art it also serves as a musical\u003c/p\u003e\n\u003cp\u003einstrument filling the space with sound and energy. The piano will be placed at the\u003c/p\u003e\n\u003cp\u003eairport for the public to see and musicians to have an opportunity to play. All around\u003c/p\u003e\n\u003cp\u003ethe world there are beautiful pianos placed in public spaces, bringing a lively\u003c/p\u003e\n\u003cp\u003eatmosphere in the area. The Guernsey Airport is about to become one of those places\u003c/p\u003e\n\u003cp\u003ewhere Art and people come together.\u003c/p\u003e"
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"bodyText":"\u003cp\u003e‘No man is an island - unless he is in a car’\u003c/p\u003e\n\u003cp\u003e‘When I was living in London, a Greek Cypriot friend once said to me: ‘Guernsey is a lovely place but it’s so small - when we went there my wife and I drove round it in just 20 minutes.’\u003c/p\u003e\n\u003cp\u003eI thought this was funny - I quipped back: ‘You can’t have seen all of Guernsey in 20 minutes - it takes at least 30 minutes to drive around the island.’ And so in defence of Guernsey’s compact virtues I told him: ‘The key is to get out of the car and walk - then you can see Guernsey’ - implying that on foot it would take more than a life time to discover all the islands’ nuances.’\u003c/p\u003e\n\u003cp\u003eCars are primitive time machines. They’re quite good at transporting us relatively quickly from A to Z - (except at commuting times) - but like all time machines they cut us off from the times and places in between, giving us only superficial glimpses of what we pass by.\u003c/p\u003e\n\u003cp\u003eThe more we rush the more we are subject to the omissions and constraints of time travel. In our cars we lose meaningful connection - missing out on most of the the sensory possibilities that come from exploring the places in between our departure and destination points. Life and lives pass quickly by. We miss the happenings that are possible with a slow walk. We miss engaging with nature and people. Walking is, or certainly can be, a meditation that transcends the narrow limitations of contemporary living - epitomised by our consumer lifestyles and drivers’ mindsets.\u003c/p\u003e\n\u003cp\u003eTo appreciate nature and the landscape you just have to get out of the house or car and become a walker - you don’t have to be a photographer. In fact a too obsessive relationship with camera gear and obtaining the ‘right’ shot can impose its own limitations on our engagement with the environment, especially when, wittingly or not, photographers are working to visual formulae promoted by the photographic industry and media.\u003c/p\u003e\n\u003cp\u003eThe real world isn’t a picture frozen in time - it’s a continually evolving process that photographs can only allude to. Photographs don’t capture sounds or smells but they can act as mnemonic devices, recalling those other sensory experiences.\u003c/p\u003e\n\u003cp\u003eThe key to photography’s power is its relationship with some of the visual aspects of memory - so much of which is recalled in the mind’s eye. Photographs stimulate the visual cortex of the brain - this is why they can appeal to those who did not take them.\u003c/p\u003e\n\u003cp\u003e‘Being a photographer gives me a very good excuse to leave the car behind and to record my engagement with the Guernsey people and landscape, which in so many respects I still see in a traditional way - I guess because I am a child of the 1950s - with a visual education that took place in the late 1970s and early 1980s.\u003c/p\u003e\n\u003cp\u003eWhether I record fragments of Guernsey’s history or figments of what I see as Guernsey’s collective imagination, photography gives gives me the opportunity to see a more nuanced Guernsey - seeing the familiar in a different light and the new or not so familiar in corners otherwise too obscure to be seen from a passing vehicle.\u003c/p\u003e\n\u003cp\u003eGuernsey born, Mark Windsor studied photography at the London College of Printing where he obtained a Foundation Diploma in Visual Communication. Mark then went on to receive a Diploma in Creative Photography, Class 2:1, 1979-82 awarded jointly by the then Trent Polytechnic and Derby Lonsdale College, studying with John Blakemore and Paul Hill. He studied for an MPhil in Documentary and Community Photography at Lancaster University 1988-90 and has practiced mostly as an amateur photographer ever since. Bar one virtual exhibition organised in Berlin he has exhibited in group and solo exhibitions only in Guernsey, and has participated in and contributed to several of the Guernsey Photography Festivals. He has also published a book of black and white photos of Guernsey: By a Different Tide.’\u003c/p\u003e"
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